The Belgian pop-rock accumulation K’s Choice arranged this restaurant/bar/lounge on a contempo aboriginal Saturday evening, arena an acoustic set in the attitude of their contempo lo-fi Little Echoes, a accompaniment anthology to the North Carolina-recorded, full-band Echo Mountain.
The band, originally fronted by amount associates and brother-sister admixture Sarah and Gert Bettens, began in the aboriginal 90s and denticulate a brace of American addition hits, conspicuously the anti-drug canticle “Not An Addict.” Afterwards activity through a agglomeration of bandage incarnations and a alienation of the accumulation in the mid-2000s, they’ve adapted as a trio, with the ancestors enlisting piano amateur and diva R.J. Swinnen into their ranks, starting with this brace of CDs.
Clad in a Dustin Pedroia Red Sox bodice and beanie hat, Sarah—along with her two mates—started off with a few songs off of Echo Mountain, with Gert and her on acoustic guitars and Swinnen on keyboards. The adherent three-part harmonies of “Killing Dragons” were affecting, the song mainly anchored by adroit keyboard-playing and ablaze addendum on guitar, sometimes activity like there was no chart at all—save the voices. Next, the appellation clue independent the agreeable burden “Come with me,” evocative of K’s Choice’s archetypal adventuresome spirit, abnormally as accurate on the anthology Almost Happy, which the accumulation referred to at the time as a alarm to chance or of which the associates called chance as a leitmotif.
Following the aboriginal song of the night, Sarah accustomed the contempo tragedy of the Boston Marathon bombings, adage “Our thoughts accept been and are with you. You are loved.”
“Come Alive The Life,” featuring above contributions from keyboardist Swinnen, advance into the K’s Choice age-old and ardent gem “Butterflies Instead,” off of 1998’s Cocoon Crash; Sarah acclaimed this history by adage the song was “from way back, aback we had our aboriginal beard colors.” Cheers went up in the army afterwards the aboriginal words and the song was about affecting on the aching, hushed “alright’s” of the outro, as this adored cardinal benefited from the acoustic treatment—Gert and Swinnen singing forth with absolute affliction to Sarah’s advance vocals.
Gert was arena acoustic guitar absolutely and steadily, singing as carefully and with as abundant abstemiousness as aback I saw him 11 and nine years ago on bout in the U.S., consistently straining—not in voice, but in emotion—to abduction the aspect of anniversary word.
“Sister,” from Ms. Bettens’ aboriginal abandoned album, Scream (2005), was up next, followed by “I Wanna Get Lost,” off of Little Echoes, which included Gert arena the bang boom while strumming a small-size guitar or ukelele. This tune was ablaze and optimistic, aural like a Morcheeba song but, again, abandoning the wondering, all-embracing spirit of this English-singing Belgian trio. Mr. Swinnen assured it with a bluesy keyboard solo.
“Not An Addict” came next, played with additional guitar (Gert on the half-size axe, again) and keyboards, which was amenable for the majority of the active layers. K’s Choice afresh dug into the aboriginal of several covers on the night, two of which amount on Little Echoes. This one, not on the album, was the Northern Irish accumulation Snow Patrol’s aboriginal 2000’s accident “Chasing Cars,” on which this trio’s harmonies were sublime. “If This Isn’t Right,” of the new full-band album, was afloat and saw Gert and R.J. abacus articulate breeding on abetment vocalizations, afore the bandage launched into the blessed adaptation of their set (a digest of Sarah’s argot in audacity concert note), which was fabricated up of Radiohead’s attentive ode to abreast “No Surprises.” Ms. Bettens explained they accept to comedy article alert and animated afore and afterwards this song, “or bodies aloof feel like killing themselves.” The harmonies, nevertheless, were hymnal, choir-like and actual hushed.
The love-songs of Echo Mountain were on affectation anon afterwards with “Someone Aloof Like You” (which Sarah committed on the night to a brace of friends/traveling companions/merch bodies who are a couple) and “I Will Carry You.”
Sarah abutting revisited her abandoned career, with the smokey, jazzy, piano-filled clue “I Could Do Better Than You,” from 2008’s “Never Say Goodbye.” Addition archetypal K’s Choice song, “If You’re Not Scared,” was articulate next, with Gert arena the sitar-like riff on his baby guitar that fabricated me cornball afresh for their 2000 absolution Almost Happy, aback they were the acknowledgment of Europe (I bethink alert to a above French radio base aback I was belief away in Paris that year and they were broadcasting a alive actualization or concert of this group).
The three musicians afresh exited, with Sarah adage “Stay Boston Strong” beforehand; they would acknowledgment moments later, the abandoned changeable in the accumulation advertence “We’ve abstruse over the years to not decay any time advancing aback [before the encore].” They anon brought things aback to an affectionate place—Ms. Betten’s voice—with the brittle “My Heart,” off of Cocoon Crash.
She afresh explained the next, awning song (also on Little Echoes) was one she had aboriginal articulate aback she was ten years old, dancing and lip-synching. It was the Pointer Sisters’ “I’m So Excited,” done acoustic-guitar appearance to activation aftereffect at the Somerville, Massachusetts dining enactment and club.
Sarah was accessible to acquaint the aftermost song of the night, aback an admirers affiliate yelled out a request—“‘Breakfast’!” (which is on the band’s 1993 admission album, The Great Subconscious Club).The frontwoman demurred at first, adage “It’s been too long.” Aback she larboard accessible the achievability of actuality able to do it if she had the words in advanced of her, a absent Ms. Bettens relented as the fan proffered his acute buzz with the lyrics pulled up, and she empiric that she couldn’t accomplish the aforementioned excuses as she acclimated to aback in the day.
In short, the song was performed exquisitely, with Gert abandoning the guitar genitalia and accouterment the abetment “Mmm-hmm” to his sister’s verses about actuality woken up at night as a kid, by their parents accepting sex in the kitchen. Afterwards the song, Sarah comically thanked the admirers affiliate for rehashing such an awkward anamnesis for her.
The final song was, as Sarah explained, one clue off the soundtrack her bandage had accounting for a Belgian documentary about two Belgian campaign activity to the Antarctic. “Letting Go” revolved about the actuality that adulation is about accomplishing aloof that.
And, admitting I was sad to see addition K’s Choice concert end, and these contemplative Belgians arch off beyond the U.S., they larboard affluence of adulation in their wake.
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